I am always looking for different methods of expressing myself creatively in photography as well as other mediums. Here are 2 examples of abstract street photography. We explore the use of reflections in abstract street in my upcoming workshop on 14 July.
There are so many different ways to shoot street photography! Framing and reflections are just 2 of the things that we explore in my private photo tours and workshops.
Here’s another photo from my series in Greenpoint, Brooklyn and an example of intentional camera movement. Intentional camera movement or motion blur is one of the creative photography techniques in the Bushwick Street Art & Creative Photography Workshop which will be held on 14 May 2017. We explore the incredible street art and typically are able to get some street photography as well as abstract photography. There are still a few places available and you can register here.
What is it about technology and technically perfect photos that appeals to people in general and photographers more specifically? We already know that in many ways technology is a big distraction. Is there truth in technically perfect photos? I throw these questions out there because I have become disillusioned with the idea that a photograph can replicate reality or even that that’s what I’d like it to do. Recently I was giving a photo tour in Dumbo and taking photos that I’ve photographed so many times before and I decided then and there that I was going to do it differently. I have a photo that I did a number of years ago there that is more a “realistic” photo. Whatever that means. I think a photograph should reflect the photographer. And when a photo does that it doesn’t really matter if it is a truer representation or a more creative view of the place. Photography is always personal. Photos from 15 April 2017 and 4 December 2010.
Every once in awhile I am able to combine both street photography and motion blur in the same shot. Two of my favorite kinds of photography! It was a rainy afternoon in Greenpoint, Brooklyn. A very cool neighborhood in the city. I started taking intentional camera movement photos while walking and talking with a friend. Without stopping. And simultaneously moving the camera to create blur. Perhaps I can call this action photography. I do enjoy trying out new things. I was prepared to throw out all the photos that I took that afternoon. But I was pleasantly surprised with a number of them. If you are interested in street photography and/or creative photography, I have 3 workshops coming up in May. – b&w in Greenpoint, 22 April 2017.
This is an excerpt from a book that I’m writing on photography. “Photography is like learning a new language. In the beginning you are constantly aware of grammar, sentence structure, verb conjugations and vocabulary. It’s all very conscious. It takes awhile to learn the different parts of language. To learn how to communicate with photography.” You’ll have to wait for more! – Photo, In Greenpoint 3, 22 April, 2017. https://www.shootnewyorkcity.com/blog/2017/4/26/photography-as-language
Training the eye to see in frames, in composition is something that I guess I take for granted. I don’t know how I started to see in frames or even when I did. It is an ever ongoing process. My eyes, my vision is always searching for new ways to see and capture things. I could say that it is rather an automatic process. Like a runner, running. That said, not all days are equal. Some are certainly better than others. I like to call it synchronicity when I find myself in the right place at the right time. And maybe it’s also called making my luck. For that reason it is good to be patient and to move slowly and attempt to really soak in my surroundings. In my workshops we always look at different ways to see things and different ways to compose a shot. Composition is typically the thing that will make or break a shot. The aspect that will give it a lasting effect. – On Lafayette Street, 9 April 2017.